Art Institute of Chicago (Egyptian) · statue

Statue of Shebenhor

Source of record: Art Institute of Chicago (Egyptian) — catalogued by the holding institution. View the original record →

Description

How do you define a portrait? While we might think of portraits as capturing an individual’s likeness, for the non-royal Egyptians whose statues appear in this case, it was the addition of a name in hieroglyphs that identified them; their facial features and fashion were determined by contemporary styles. The inscriptions on the front and back of the statue on the upper left distinguish it as a representation of a man named Shebenhor. He sits with his knees drawn up in front of him and his hands on his lap, a compact pose ideally suited for display in crowded temple courtyards, where it would have been less susceptible to breakage than standing or seated versions while also providing a flat surface for visitors to place offerings. Statues like this one acted as proxies for the people they depicted, allowing their souls to benefit from the prayers and rituals performed in the sacred space around them.

AI image analysis GPT-5.4-nano

Machine-generated from the object's image on Jul 2026. Not curatorial; treat deities, names, and signs below as the model's best reading, not authority.

A small black stone Egyptian funerary-style statue/figure shown frontally, with folded arms and a wig/hood covering the head.

The artifact appears as a compact seated or squat figure carved in dark stone. The head is rounded with a stylized face; the figure wears a smooth headdress/hood or wig that frames the head and falls to the sides. The arms are crossed or folded tightly at the chest with hands clasped. A broad rectangular band on the torso/between the arms contains dense carved hieroglyphs in vertical columns. The legs/feet are indicated at the base with toes carved in relief. No Greek, Coptic, or Arabic text is visible. The stone surface is matte with minor specular highlights consistent with a dark hard stone. The catalogue’s basalt attribution aligns with the object’s dark black/charcoal appearance, and there is no clear visual contradiction. Specific identification of the person’s name “Shebenhor” from the visible text cannot be confirmed from the image resolution.

funerary unclear (likely Middle-to-Late Period style; exact dating not determinable from this image alone) good
Materials basalt (dark black stone)
Signs Hieroglyphic text (multiple vertical columns; exact signs unclear) ×60
Visible text "Dense carved hieroglyphs across a rectangular band on the torso; individual sign readings are unclear at this resolution."

Inscriptions (1)

Inscription #1

English description

Front: “A gift the king gives and that Osiris the Great gives [to] Bastet the Great, Mistress of Bubastis, that she might give offerings from Upper Egypt and provisions from Lower Egypt to the ka of the one revered before Atum, Lord of Kaheref, Shebenhor, justified, son of Hedeb-Hapi-ir-bin, born of Iachays-nakht.” Back: “A gift the king gives [to] Bastet the Great, Mistress of Bubastis, that she might give invocation offerings consisting of bread, beer, oxen, fowl, and every good thing to the ka of the one revered before Atum, Lord of Kaheref, Shebenhor, justified.”

Cross-references (1)

  • ARTIC-id 13454 tier-2
About this record's data
  • From the source institution — accession, description, dimensions, and dating are as catalogued by Art Institute of Chicago (Egyptian).
  • AI-inferred — the image-analysis panel (deities, names, signs) is machine-generated and may be wrong.
  • Approximate location — most map points are plotted at the site centroid, not the exact findspot.
  • Inferred links — cross-references marked with a match method other than explicit-source-field were matched by us, not stated by the source.